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Composition: Duet
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counterpoint
Op. 27 - Double Canon
Bradley de Lucia
2:47 Est. Play
Time
95 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 5 74%
Treble 15 0 2 5 95%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 5 74%
Treble 15 0 2 5 95%
Bass 15 0 2 5 97%
18 0 3 5 77%
 
J.S. Bach: Sinfonia 9, F minor (BWV 795) (w/ detailed commentary!)
BSG
3:19 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 23 0 8 6 100%
Bassoon Bass 28 0 10 5 97%
Flute Treble 22 0 9 6 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 23 0 8 6 100%
Bassoon Bass 28 0 10 5 97%
Flute Treble 22 0 9 6 94%
 
Trio in C# minor for oboe, English horn and cello (Opus 22a)
schoutens
2:21 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
English
Horn		 Treble 26 0 10 8 98%
Oboe Treble 23 0 10 8 96%
Violoncello Bass 25 0 10 8 85%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
English
Horn		 Treble 26 0 10 8 98%
Oboe Treble 23 0 10 8 96%
Violoncello Bass 25 0 10 8 85%
 
Contrapunctus I
kyagielski
2:36 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 23 0 8 6 91%
B♭
Cornet		 Treble 20 0 7 7 86%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 23 0 8 6 91%
B♭
Cornet		 Treble 20 0 7 7 86%
Tuba Bass 22 0 8 6 82%
Trombone Bass 19 0 6 6 78%
 
J.S. Bach: Genügsamkeit (BWV 144 #5)
BSG
2:48 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cto Bass 24 0 9 4 100%
Ob.
d'Am.		 Treble 23 0 8 6 100%
Soprano Treble 16 0 5 6 69%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cto Bass 24 0 9 4 100%
Ob.
d'Am.		 Treble 23 0 8 6 100%
Soprano Treble 16 0 5 6 69%
 
First Species Counterpoint Practice
Alice Minguez
2:48 Est. Play
Time
140 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 0 1 50%
Treble 12 0 0 1 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 0 1 50%
Treble 12 0 0 1 50%